Monday, October 30, 2006

sunday morning


up at 4:15, lycra donned, pedalling to be done.
First hour in darkness and wet -not raining- but plenty of puddles and spray. Sun came up at about 6 just as we headed through Tenryu and the first of the hills.
As we hit roads, steeply climbing through forest, the air is alive. Fresh and electric, light sets ablaze tree-tops beginning their turn. Within the forest, mist sits on and in the needles -all vertical- casting barcodes across the tarmac and its wavering yellow lines. Beams pentrate in slow motion and remain static; still and composed in the muted damp, earth waking silence.
Proceedings are slow on steep gradients but the tones -not the colours- but the tones, are glorious.

Saturday, October 28, 2006

ghetto, fabulous


The apartment block in which I live is the nicest ghetto I've ever lived in. In spite of this it lends itself to the apocalyptic.

Cuppa tea in the post, it read
just a little something.
On the ride to school singing,
and dancin' and hummin'.
Sunshine all the way to bed,
cool breeze lifts my bearded head.
Off to best friends, well-read
words and insults softly spoken.

Wednesday, October 25, 2006

Go ahead ladies


My kids draw their version of me quite often, but I had my camera and was quite taken with this one.

Sunday, October 22, 2006

on safari

For Mari's birthday we decided to go on safari.







Keep your cigarettes safe and meet me at the squirrel-monkey-tunnel!

Friday, October 20, 2006

another birthday

6 tyres, 4 inner-tubes, a hubs-worth of ball-bearings, 3 squeaks, 2 crashes, 4 stitches, 1 survival challenge, 1 century-ride, lots of big hills, aprox. 6000km

Wednesday, October 18, 2006

OPEN MIC




I started solo; Maria, Naked as we came and a request from the audience, Postman Pat.



After that Rachel (electronics) and Brooke (violin) played a few. After that I went back up with Joss singing.







Jacob played a few by himself, and was joined for a Neutral Milk Hotel number by Rachel on violin.
At this point we all conspired to figure out what we could try and play together. It was the first time I'd even met Rachel and Jacob, but we did pretty good - really fun jamming it out. I finished the evening off with my cover of Ice Cube's It was a good day, complete with badass panda-hat. Apparently when I sing the words they don't sound bad. Had at least one offer as a result... bonus.

Thursday, October 12, 2006

aaaaaaaHHHHH CHOP!

"To cut flowers is murder. Having been murdered, they live on in beauty."

That's flower arranger Toshiro Kawase speaking. "We have heard that remark from him more than once," says journalist Miwako Sato. "At first I was shocked by it, but presently I began to see that it hit its target like an arrow. In Zen Buddhism there is the expression "murder the Buddha". It goes like this: "Having murdered the Buddha and the teacher who conveys his teachings, you are for the first time in repose." When you are no longer preoccupied with the teachings, you have taken the first step toward enlightenment."

"This is not easy for the mind to grasp. But when true Buddha Enlightenment is achieved, new creativity emerges... Sen no Rukyo, the 16th century monk who had the greatest influence on the art of ceremonial tea, said: "Be a distinguished murderer." He cut all the flowers by the roadside, selecting just one for the tokonoma alcove in his tiny tearoom, and invited the shogun Toyotomi Hideyoshi to see it.

"Cutting makes for freedom," says Kawase about his state of mind when arranging flowers. "The flowers of Japan become real flowers only through the process of being arranged." And, presumably, murdered.

______

The above is taken from Momus' blog.
It's something I'm always intrigued by. I've been to see a few ikebana shows and I find them perplexing. Having no frame of reference aesthetically in which to judge them, I find them erratic at best. Speaking to Mina (who took a class on it at school) they are in no way supposed to be representative of reality - but rather a representation of the essence of their components. Limited and edited to show whatever 'quality' they possess.
A small part that is indicative of the whole - like fractals.
Still, to my western-designers' eyes, a lot of them seem entirely overblown, overdone, and visually verbose to me.





These were some of the quieter ones.

Monday, October 09, 2006

from the series 'Tumeni views of Mt. Fuji'
















So a postponed cycle in the Izu. Up at 6.45, at Numazu by 8.30, en velo by 8.45.
A few kilometres on busy roads until I could get off them and follow the coast-road on the Izu. Only incident was seeing a keirin-racer training on his way home. As soon as I pull off onto the quieter roads the view of Fuji across Suruga Bay is stunning. The air still clear from the passed typhoon. A thin topping of snow. Blue skies.
I passed out on Friday after having blood taken so I thought I'd take it easy. Slowly following the road, watching the sun bouncing off the waves. There are several little harbour-towns along the coast, smells of fish, seaweed, and petrol. Water clear. After an hour or so I pull off and wander up to an observation point - a stoic samurai sits in stone - must be his favourite view. He's not very talkative. Shortly after that, at the top of a hill, I pull off again to a little isolated cafe on the side of the cliff. Order up some earl-grey and cheese-cake. This is the way to do it. The owner seems a little shocked to see a whitey, but brings out a book of incredible diving-photography locally produced; the area is apparently famous for it's diving school. As I leave he passes me two postcards by the same photographer.
On the way out after filling my water-bottle there are four very sweaty young guys gasping for air. They're real excited, must be a first big bike-trip. I ask them where they started; Numazu, same as me. They seem keen to talk and ask how difficult I thought this last hill was. "Ma-ma" - so-so I say, they shriek with amazement - wow, you a level-up to us! I watch them set off while I clear some mud from the clips in my shoes. Then I set off again, catch up to them instantly and pass them up the remainder of the hill - "Ganbarre!" I encourage them; fun to see guys so excited about everything.
At the top the light opens up and another incredible view of Fuij. I don't stop, there's a beautiful downhill. 60kmph all the way down, racing round the corners. Another climb, taking it slowly I pause to look at the view point at the top of the other side. It must be the spot Hiroshige picked for one of his prints. As I'm taking it in the guys go slowly past again mumbling encouragement to each other. As I set off and go past them again, I just smile - they're incredulous.
The road is rolling hills up and around each protusion of the land into the sea, up and down the cliffs. Fun cycling, never too hard, with great downhills. I pass several cyclists heading the other way, each nodding, grinning, or one guy, loaded up with gear, punching the air and shouting.
I pass through Heda and Toi, autumn festivals starting up, drums and flutes sounding out. I stop for lunch in Toi at a Beatles themed cafe. Really nice cozy interior, so strange to find in Japan. The woman serving me is nice and offers the standard compliments about my Japanese. She's a BIG-Beatles fan, she tells me, so I mention I'm from Liverpool - 'wonderful' she exclaims.
After Toi I head inland to make a loop and head back to Numazu. The road climbs. I'd spent lunch considering whether or not to attempt the Nishiizu skyline, a road that heads straight over all the biggest mountains in the area. Climbing repeatedly to just under 1000 metres. I felt pretty good all morning so when the turn comes I laugh heartily to myself for being an idiot and take it. The cars stop, replaced by hordes of motor-cyclists in groups tearing up these hills, some giving me a thumbs up, most not. The ones coming the other way look concerned at this fool up on his pedals puffing up the slopes at little more than walking pace. The road climbs through the shade of trees, I'm grateful, the sun is the hottest it's been in a long time. The climb is about ten kilometres and probably the steepest I've ever come across. I take it slow, and all the motor-cyclists stopped for a breather or a swig of water observe is a calm guy breathing slowly, going past. Because it's so steep I find that when it becomes less steep I quickly speed up and go faster on the uphills than I would normally do on the flats. At one of the pull-off points is a guy sitting in a deck-chair playing his accordion. It's not the first time I've come across this isolated musicianship. It reminds me of a trumpeter I came across in a quieter spot of the forest park near Hamamatsu. As I near the tops of the mountains and the trees thin out I can see the whole of Izu beneath me, all hills and forest, valleys and cliffs. Incredible. Hitting the crest I zip up my jersey for the cool descents in shadow. I quickly and easily descend, scaring some of the motor boys when I pass them. I stop at a cafe built for the tourists who come up and get the photo. Ice-cream. One or two stare wide-eyed when they see my bike.
Leaving the people behind I drop quickly down to the valley-floor to Shuzenji, where the option to get on a train is ignored. There's a beautiful temple complex, also filled with people. From here I get lost several times trying to find my way back to Numazu. Finding I can't take the road I need, as it's only for motorised vehicles - despite the fact that they're jammed all the way, crawling along at 10mph. The sun's going down and the clouds light up in orange and pink. I stop to ask several gas-stations who all direct me to a different place - not believing that I could make it the 10km to Numazu on a 'bicycle'. In the end, it's too dark; I give up and let them direct me to the small train line which takes me to Mishima where I can take the train home. On the train, I drift off which helps the two and half hours home pass nicely.

Sunday, October 08, 2006

No-one I know got shot in South-Central LA.



Shimizu must be the place most like San Jose, California, in Japan. Saturday was one of the best days I've had in ages. Originally intended for cycling, the possibility of poor weather led to a much more relaxing day. Breakfast at McDonalds - who knew! A rotenburo before 11. Sitting nekid in the sun in public without being arrested or abused is something I'll definitely miss.
Then the world-renowned Kusanagi-ramen - all meat, no beefs baby. An afternoon nap. Then a BBQ; all thrown together on a bicycle much too small in borrowed hip-hop gear and pretty girls.
It was the first sunny day in three weeks - as such the skies were unbelievable - first glimpse of Mr. Fuji since April. REAL CLOUDS.
Thanks Pin.
It was a good day.

Wednesday, October 04, 2006

the littlest birds...





Getting a puncture on the way to school; bad.
Having to walk an hour and a half home; not that bad.

In a months time most of the greenery on my route to school will be gone and I won't see much green within Hamamatsu for some time. Sometimes it's good to look at the little things; the big things are all fudged up.